A film conceived by Chileans about the aspirations of Palestine’s national team has stirred a Chicago film festival—at least judging by an 11-page torrent of comments that debates which filmmaker deserves credit for the idea and which has the more authoritative connections to justice struggles (Ed M. Koziarski, “Social Justice, with Soccer,” Chicago Reader, Apr 3).
In an interview Jan 11 with the Jewish Chronicle of London, Meir Granat—father of Chelsea manager Avram Grant—details the displacement and death that met the Hasidic family in wartime Europe (Simon Griver, “Shoah Horrors That Haunt Avram Grant”). (Jan 11)
Bethlehem, West Bank, Jan 11 | The statement of the biblical Ruth, the Moabite, a poor woman gleaning in Bethlehem (“house of bread”) behind reapers of barley strikes a parallel with the women’s football team from Palestine, taking its passion and pleasure from scraps left by a patriarchal culture and occupying authorities.
In conversation on the Charlie Rose Show on PBS on Dec 31, Ha’aretz columnist Akiva Eldar notes the rising popularity of Yigal Amir, the assassin in 1995 of former Israel prime minister Yitzhak Rabin. Television viewers and spectators at the Maccabi Haifa–Beitar Jerusalem match on 4 Nov 07 heard the evidence loud and clear. (Jan 5)
Sakhnin, Israel, Sept 5 | A small Arab Israeli town of 25,000 residents, nestled in a lower Galilee valley among fig and olive orchards, with an illustrious history and a difficult present, has become world famous within the past three years—all thanks to its soccer team.
A new documentary film, Sons of Sakhnin United, examines Bnei Sakhnin’s place as a bridge builder in divided Israel.
22 Apr 05 | Body searches, travel restrictions, arrests and martial law are not conditions usually associated with international football. These however have been familiar realities for members of the Palestinian national team. In spite of daunting odds, these players have succeeded in representing their nation. Futbol Palestina 2006, Nelson Soza and Marcelo Piña’s (left) film in progress, is a record of the players’ struggles, determination and pride. See also “In ‘Tiro Libre,’ Walls of Separation and Misunderstanding” (Apr 23) »
